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Ten per cent still using 1234 as their PIN, with one in ten PINs guessed correctly first time

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1234 not as secure a PIN as you'd like

Following the news that one in 10 have managed to guess a colleague's password, DataGenetics research from more than 3.4 million PIN codes has found one in 10 can be guessed first time with 1234 still being used by 10 per cent of us.

1111 and 0000 were found to be the second and third most popular PIN codes. One in 10 were so obvious criminals needed just one attempt to guess correctly, with more than a quarter used so often they can be guessed in fewer than 20 attempts.

Using data from previously released password tables and security breaches, DataGenetics combined the password databases filtering the results to show just four-digit numbers and were able to analyse 3.4 million PINs.

Of the 10,000 possible combinations almost 11 per cent of the 3.4 million passwords were 1234. Six per cent were found to be using 1111, and two per cent used 0000.

Many people are believed to be using their year of birth as their PIN, which can be easily determined from their age, as so many begin with 19, for example 1986, 1957, 1962, etc. As well as year of birth these numbers could also relate to an anniversary or a significant year which a hacker could obtain through online accounts.

Every single 19+ combination appeared in the top fifth of the list.

"Statistically, with 10,000 possible combinations, if passwords were uniformly randomly distributed, we would expect these twenty passwords to account for just 0.2 per cent of the total, not the 26.83 per cent encountered," commented DataGenetics.

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YouTube and Spike Jonze team up for Music in 2013 project

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YouTube and Spike Jonze team up for Music in 2013 project

American director, producer, screenwriter and actor Spike Jonze has appeared in a YouTube video introducing a new project he's working on with the company.

The music themed project, which wants to know users favourite songs, videos and artists of 2013, has kicked off with the YouTube video featuring Jonze in a bid to crowd source the relevant information.

The 1'16" video ask the YouTube community to send in videos detailing their favourite artists and videos from 2013, as well as the ones they hate. Jonze invites users to "dance it, recreate it for us in any way, send it to us and in a few weeks we'll get back to you with what we're working on."

To take part videos should be entitled "Hi Spike" and submitted before Monday 12 August.

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Ad of the Day: The Sun - Goals

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Ad of the Day: The Sun - Goals

This fun commercial for The Sun's new premium service shows how football fans will be able to watch all the latest goals via their mobile phones. There are - as it rightly points out - circumstances in which this is a good idea and circumstances in which it's not. Perfectly pitched for the demographic.

Agency: Grey London
Creative Director(s): Nils Leonard / Dave Monk
Creative Team: Paul Miles / Adam Staples
TV Producer: Jessica Ringshall
Film Prod Co: The Sweet Shop
Director: James Haworth
Producer: Justin Edmund-White
Dir of Photography: Federico Alfonzo
Post-Prod House: The Mill
Editor: Adam Spivey
Audio House: Grand Central

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Peter Capaldi announced as 12th Doctor, over 500,000 tweets sent in lead up to #DoctorWhoLive reveal

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Peter Capaldi announced as 12th Doctor, over 500,000 tweets sent in lead up to #DoctorWhoLive reveal

Peter Capaldi, the actor known for playing spin doctor Malcolm Tucker in The Thick of It, has tonight been revealed at the 12th person to play the role of Doctor Who.

He said: “Being asked to play The Doctor is an amazing privilege. Like the Doctor himself I find myself in a state of utter terror and delight. I can't wait to get started."

Capaldi, who previously had a cameo in episode The Fires of Pompeii, will take over the role from current Doctor Matt Smith, who will leave the role during the Christmas special following four years as the Doctor.

Steven Moffat, lead writer and executive producer said: “It's an incendiary combination: one of the most talented actors of his generation is about to play the best part on television. Peter Capaldi is in the TARDIS!”

The Scottish actor was amongst the pundits' favourites for the role: On Friday 26 July, he was 40/1 for the gig however by the time betting was suspended on Friday 2nd he was odds on at 5/6.

“Everyone has tried their best to keep it quiet although it looks as though someone may have let the secret slip within the last week or so,” said William Hill spokesman Joe Crilly. “The gamble was not solely on Capaldi however and there were many other contenders for the crown.”

According to SecondSync, which provides Twitter analytics for TV, over a quarter of a million tweets were sent about Doctor Who in the time leading up to the big reveal, and over 542,531 in its capture window.



Research from Twitter found that at the moment Capaldi was annouunced, over 16,000 people were tweeting using the term Doctor Who (Doctor Who, #doctorwho, #drwho #doctorwholive), while 11,000 tweeted Peter Capaldi's name.

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When it comes to the crunch: A look at Kellogg's Crunchy Nut marketing overhaul

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Following the overhaul of Kellogg’s Crunchy Nut, implemented last year, The Drum’s Stephen Lepitak speaks to marketing manager for Crunchy Nut Jenny Powell, about how the brand has turned itself around.

When it comes to the crunch: A look at Kellogg's Crunchy Nut marketing overhaul

The trouble with Crunchy Nut, one of Kellogg’s most popular cereal brands over the past three decades, was that people had lost interest, which led it to return to the use of its most familiar slogan: ‘The trouble is, they taste too good’.

The brand implemented an overhaul in 2012 in order to rebuild consumer awareness around its central selling point – the taste. The resulting campaign activity, reverting to the use of ‘The trouble is’ slogan, has led to it once again becoming the second biggest selling cereal brand for Kellogg’s, as it prepares to roll out a new chocolate variant.

“We could see it in the sales figures. When we really looked at the truth behind the brand it became quite clear how we could develop a plan to turn it around,” says Jenny Powell, marketing manager for
Crunchy Nut.

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Making social sexy: Ann Summers discusses frequency, engagement and how it handles social

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Making social fit in with the offline image of your company can be difficult. Sophie Barton, PR and social media manager for Ann Summers, discusses platforms, frequency and engagement.

Making social sexy: Ann Summers discusses frequency, engagement and how it handles social

It is so important to build a relationship with your social community – talking about products and promotions too heavily will result in customers tuning out, so having an understanding of what they like to talk about is vital in order to keep engagement levels up. We try to keep our posts and content exciting, compelling and topical to engage with our followers – current campaigns, trends, relevant news as well as new product launches make up much of our activity.

Currently, we use Facebook, Twitter and Pinterest, although we do have plans to launch the brand on Instagram in the short term – we are always looking for new opportunities and considering other platforms, however our priority at the moment is to continue to build our brand presence on the platforms we currently use.

We have an incredibly engaged audience on social media, so we like to share additional content with them in order to keep them engaged with our campaigns, for example behind the scenes clips and photos from our shoots. Our customers like to communicate with the brand and we often receive messages from followers who want advice, whether that be on product purchases, sex tips or relationship advice – they even ask us to post dilemmas on their behalf so that other followers can advise or make recommendations.

On an average day, we post to the Facebook page around three times a day, whereas Twitter newsfeeds move more quickly, so we post more regularly as we have less time to grab the attention of the user. In terms of quantity, engagement is higher on Facebook than it is on Twitter – this is largely due to the enriched content that we can post on Facebook which is more in line with our brand. The scope for engagement on Twitter is much wider, and by its nature it is more public than our Facebook page – but it also has the potential for a personal touch.

The lifespan of content on Twitter is shorter and behaves much more like a real-time conversation which therefore requires more interaction to keep the conversation going. In contrast, a post on Facebook can be left to develop organically. All of our content is carefully considered and we always ensure that our posts stay on brand, being witty and relevant without offending. For example, our daily #SEXFACTOFTHEDAY Twitter posts always get high levels of engagement as they are often quite amusing, unusual facts – for example, ‘A penguin only has one orgasm a year’ got the highest number of retweets we have seen within minutes.

We do post about new product launches which naturally includes sex toys and accessories as well as lingerie, however we make sure that we stay on brand with our content – as a responsible retailer, we always consider what is appropriate across any of our marketing campaigns and as we take an integrated approach to what we do the same applies to our social media platforms.

I do think the rise of ‘mummy porn’ has had an effect on how willing people are to open up and speak about sex, although we already had a very engaged social audience prior to the Fifty Shades phenomenon last summer. What it did do though was give us the opportunity to engage with the more nervous customers to introduce them to our brand and reiterate that we are the number one destination for all things sexy.

As a part of our overall joined up creative process, we use the same ‘Ann Summers’ tone of voice as well as communicating the same overall marketing message across each of the social media platforms that we currently use. This is not to say, however, that we do exactly the same thing on each channel – we form separate week-to-week strategies and plans for Twitter, Facebook and Pinterest and we recognise, apart from the obvious difference with the 140 character limit on Twitter, that the functions of and the opportunities offered by the two channels are different.

Ultimately our goal is to offer a multichannel experience and drive traffic either to our website, stores or to parties – however we recognise the importance of building a relationship with our social media followers and customers as well as conveying a brand tone and image that is aspirational, fun and sexy. We understand the need to strike the right balance between brand-led storytelling, product promotion and listening to our fans and followers – social media shouldn’t be used solely as a platform to push promotions and showcase product.

Our social media platforms give us great insight into what our customer wants and what that they like to do, and by listening to them and gathering their feedback we can ensure that our content stays relevant. By focusing on building a community, as well as becoming a part of our customers’ everyday life by appearing regularly on their newsfeed, we can take them on an engaging journey and give them the true Ann Summers experience.

This interview is part of our social media supplement, out on 2 August.

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Knightmare one-off revival episode for YouTube's Geek Week goes live

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Knightmare one-off revival episode for YouTube's Geek Week goes live

Knightmare, the classic children’s adventure game has returned for a one-off special as part of YouTube’s Geek Week.

The special episode (see above) has gone live this morning (5 August) as part of the special week created in order to showcase 100 new channels and highlight some of the content available to YouTube's international audience.

The new episode of Knightmare has been produced by the programme’s original creator, Tim Child and once again features Dungeon Master Treguard, played by Huge Myatt.

Further content released through Geek Week can be found on the dedicated YouTube page.

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Bernard Matthews introduce new logo and packaging in £1m re-brand

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Bernard Matthews introduce new logo and packaging in £1m re-brand

Poultry specialists Bernard Matthews have introduced a new logo following a £1m re-brand and marketing campaign.

Appearing in stores from 8 Aug the new look packaging will sport new-look labels and attempt to highlight the ‘Britishness’ of the cooked meat supplier as well as draw attention to the firms farming heritage.

The refresh dovetails with a series of new flavoured meats including Wafer Thin Turkey Curry and Hickory Smoked Turkey Breast Slices, which will be marketed on women’s magazines and websites.

This all forms part of a concerted effort to shirk the ‘Turkey Twizzler’ tag which was attached to the company in the wake of Jamie Oliver’s high profile school dinner’s campaign.

Outlining their customer research findings Charlie Douglas, Bernard Matthews brand marketing controller, said: “They are really interested in our farming heritage and the link to British farming. The key thing is we are refreshing our brand. We haven’t done anything for a long time, and we last re-launched in 2008.

“Mums are obviously really big for us because they are the ones buying our product and our core market. There are consumers who have lapsed and this is a way of trying to get them interested in the brand again.”

A series of press ads will launch in October in conjunction with outdoor, digital and in-store activity.

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Midori unveils new brand positioning and £1m though the line campaign

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Midori unveils new brand positioning and £1m though the line campaign

Midori is today unveiling its new brand positioning with a through the line campaign across the UK, including the brand’s first out of home advertising drive.

The new positioning, ‘My Midori’, aims to reflect the personality and lifestyle on consumers, with the tag line ‘Discover your Midori’ looking to show the versatility of the melon liqueur.

The £1m advertising drive will concentrate on two regions identified as key areas for Midori target consumers with the objective of raising awareness and trial of the brand; and will run in both August and October.

Midori is also set to launch new Instagram and Pinterest pages, as well as looking to boost its current Facebook profile.

Midori European brand manager, Catherine Meardo, said: “Research has shown that out of home advertising is the best way to build awareness amongst our target market. Billboard advertising has been part of Midori’s through the line campaign for the past few years in Australia and the USA with a positive effect on sales and brand awareness, so we’re looking forward to launching it here in the UK.

“Social media is another increasingly important element of Midori’s marketing campaign. We know our consumers are spending more of their time across different social platforms, so it’s essential the brand is sharing those spaces with them. We’re excited to see the reaction of our incredibly loyal Facebook community once we roll out the new positioning and will be watching Instagram and Pinterest closely as Midori’s vibrant appearance lends itself so well to photo sharing platforms like these.”

Asda, Tesco and Morrisons will all be running on-shelf promotions to support the new positioning.

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The riveting story of Levi’s: John Hegarty and Nigel Bogle on their favourite Levi’s ads

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With Levi’s celebrating 140 years in 2013, Jason Stone catches up with BBH founders Nigel Bogle and John Hegarty to discuss some of the brand’s most iconic advertising.

The riveting story of Levi’s: John Hegarty and Nigel Bogle on their favourite Levi’s ads

It’s 140 years since Levi Strauss and Jacob Davis were granted the US patent to make the first riveted men’s work trousers from denim, effectively inventing blue jeans as we know them today.

And it was around 30 years ago that the company took one of the wisest decisions in its history when it appointed a year-old start-up called Bartle Bogle Hegarty to create its advertising in the UK. The agency didn’t even have a permanent office back then, but swiftly began producing some of the most memorable advertising of all time for its new client.

A week before Cannes I visited BBH to talk to John Hegarty and Nigel Bogle about their favourite Levi’s commercials. It seems likely that part of the reason for the enduring success of Bogle’s relationship with Hegarty is a shared sense that it suits them both for the latter to stand in the limelight. Bogle’s quiet modesty strikes a considerable contrast with Hegarty’s Barnum-esque charisma, but there’s no doubt that both men rightly regard theirs as a partnership of equals. I spoke to them separately, but they still managed to finish each other’s sentences as they offered a remarkably unified verdict on the work that made their agency famous.

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Women in Digital: Award-winning editor Carla Buzasi discusses mission to make Huffington Post UK 'a household name'

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Ground-breaking online news and opinion site Huffington Post has been one of the most exciting brands to hit the UK market in the last few years. Editor-in-chief Carla Buzasi tells The Drum’s Jessica Davies of her plans to make the Huffington Post a household name in the UK.

Award-winning: Huffington Post UK's editor-in-chief Carla Buzasi

The Huffington Post burst onto the UK scene in 2011 with a string of impressive guest bloggers including culture secretary Jeremy Hunt, comedian Ricky Gervais and the US ambassador to London, Louis Susman. The site, founded by Arianna Huffington in the US in 2005, had become known as the most editorially distinctive, independent brand on the web, and later caught the eye of AOL which bought it for $315m (£195m).

Since its UK launch it has more than doubled its paid staff count to 25 journalists and its blogger community has rocketed from 300 to 6,500 people, with guest blogs from Prince Charles and David Beckham. Editor-in-chief Carla Buzasi, who has been at the helm of the UK operation since its creation, describes the last two years as a “rollercoaster” ride which has seen the site establish itself as a major player in the fiercely competitive UK news landscape.

This year it scooped Consumer Website of the Year at the Online Association of Publishers (AOP) Awards, and saw Buzasi named Online Editor of the Year at the Online Media Awards in June, beating editors from BBC News, The Times, New Statesman, Press Gazette and Elle Magazine.

Buzasi says launching the site in the UK – a market dominated by decades and even centuries-old media brands – was one of the most challenging moments of her career. “When we first launched here people were interested in what we were doing but most probably thought we were going to be a small blog site. Now we are seen as a major player in the UK news landscape.

“Winning best consumer website at the AOPs this year was amazing because we were up against the likes of Mail Online, Vogue, and Vice and it really recognised the fact that we have shifted perceptions of this brand,” she says.

Breaking a new, online-only proposition into a market filled with heavyweight brands has been a tough but exciting journey, according to Busazi. “People in this country were crying out for a platform in which their opinions could be heard and we fulfil that need.”

Since its US launch in 2005, the Huffington Post has dropped the “internet newspaper” identity it initially cultivated to be regarded as a “digital destination” for opinions, debate, and news on subjects ranging from politics to lifestyle and entertainment. Digital channels have transformed the news reporting world, with social networks like Twitter becoming as much a source of news as an effective, alternative distribution channel for media owners.

“Readers are no longer passive when they consume media. News has become about conversations. The age-old model of editors prescribing the news and people reading it is going. They now want to comment voraciously, or if not comment themselves they like reading others comments. That approach to what is happening in the news is really fascinating and something that makes the Huffington Post feel like a lively experience,” she says.

Publishers must look beyond their own web domains to social platforms and other destinations where their audiences may be to ensure they can meet their everchanging demands, according to Buzasi. Never was this more apparent than in 2012 when one of the deadliest hurricanes in history hit the US.

“When super storm Sandy hit the US our servers went down and we lost the site for about 12 hours. That could have been a complete disaster, but we just switched to our social media pages on Twitter and Facebook and had exactly the same amount of content running through those networks.

“It ended up being one of our best ever days for traffic because when the site came back online there were so many people consuming content elsewhere they all then came back to the main site. It shows that in this digital age you can’t just be focused on your site. You must be where your readers are,” she says.

Whether it be via the use of social media or the tailoring of content to suit mobile devices, news reporting is now more about having conversations with readers, wherever and whenever they want to have them, according to Busazi. Adapting to the ‘always-on’ culture of media consumption must be a priority for all media owners.

“The time when you would monitor peak times, which would be first thing in the morning or at lunch time, has to a certain extent gone out of the window, because people will be checking news wherever they are. You can get Wi-Fi on the tube now – people want to consume content on their own terms.”

Yet despite this trend towards participatory content creation, it is vital to balance that with editorial judgment or “gut instinct”, she adds. Having made its name in the online arena, the Huffington Post is now focusing on moving its brand into the offline world. In the last few months it launched The Third Metric in the US and UK – a female-focused movement kick-started by Arianna Huffington, a woman who Busazi describes as an “amazing” role model.

The Third Metric events centre on redefining success beyond money and power, putting more focus on mindfulness and wellbeing, according to Busazi. It will feature inspirational women talking about how they have got to where they are, and that success is more than money and power.

“Women are definitely not represented enough in media. There aren’t many female newspaper editors in this country and that’s really sad. “It is tough, especially now as there are fewer jobs, but if you believe in it enough there is no reason why you can’t succeed. It’s such an interesting time to work in this space – everyone is experimenting and trying new things and it’s a time when brands like the Huffington Post can gain cut-through quite quickly,” she says.

It also held an event earlier this year called ‘Iraq: seven years on’, which was attended by more than 700 people and became a trending topic on Twitter. “This showed the Huffington Post brand can live outside the website, and we want to do more there. My mission is to make Huffington Post a household name,” adds Buzasi.

The Women in Digital series is sponsored by:


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Tesco unveils F&F back to school animated ad

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Tesco unveils F&F back to school animated ad

F&F has launched a new back to school advert using stop motion animation.

Shot over the space of a week, the ad was directed by expert in pixilation Juan Pablo Zaramella, and animator Alan Dewhurst.

The 30 second clip consists of 750 frames, each frame is composited of multiple layers of imagery with over 5,000 images used in the entire commercial.
Zaramella said: “The advert is a recreation of the real world of kids, but expressed through imagination. The idea was to show how F&F clothes are perfect for your child’s favourite daily activities like playing football or dancing but filtered by their particular vision of the world.

“Although the pixilation meant the kids had to stay still and concentrate on body position and expression, we also wanted them to have fun and feel part of the animation. It was fascinating to see the kids enter into the spirit of the process.”

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Honda named as BT.com’s first premium advertiser

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Honda named as BT.com’s first premium advertiser

Car giant Honda has been named as the first premium advertiser to appear on BT.com after it brokered a month long campaign through Starcom to showcase the new Honda Jazz.

Launching today the campaign will take the form of a synchronised mail login and homepage takeover, coinciding with the launch of the new BT.com site.

BT has been in the process of migrating traffic across to its revamped domain over the past few days, stating that the new-look site contains more news, reviews and interviews than the old; including greater prominence for multimedia content such as picture galleries, video and Q&A’s.

The digital advertising sales contract for this work has been awarded to AD2ONE for formats including rich and standard media, sector sponsorship, content creation and pre-roll.

Grant Allaway, group managing director at AD2ONE, said: “We’re pleased to work with Starcom to deliver a world-class brand such as Honda as the first premium advertiser for BT.com. It’s a great example of how AD2ONE maximises the value of BT.com’s online assets and can offer scale to businesses wanting to unlock the value from their multiple platforms with innovative advertising solutions.”

Sakshi Dewan, Honda activation manager at Starcom, said: “We’re delighted to work with AD2ONE to bring Honda closer to the new BT.com consumer site. It’s a new and innovative site delivering a great online experience to a highly engaged audience. Honda is an ideal brand advertising partner and we are delighted to have negotiated first mover advantage in such a highly demanded ad placement. We look forward to working closely with AD2ONE and BT on this campaign.”

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Big Partnership’s Edinburgh head departs by ‘mutual agreement’

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Big Partnership’s Edinburgh head departs by ‘mutual agreement’

PR firm the Big Partnership has announced the departure of its Edinburgh head, Nicki Sturzaker, ‘by mutual agreement’.

The plum £70k per year position has been occupied by Sturzaker for the past three years, following a successful ten year spell London.

Sturzaker confirmed in a statement that she does not as yet have a new role lined up, saying: “I am now ready for a new chapter and want to take my career in a different strategic direction. In order to do this properly, I have decided to take some time out to carefully plan my next move.“

For their part her former employers issued an accompanying statement, which read: “Nicki has worked hard in developing Big’s Edinburgh presence over the past three years. She has now decided to pursue a different strategic direction in her career and leaves with our best wishes.”

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Bray Leino picks up PR accounts for Russell Hobbs and Remington

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Bray Leino picks up PR accounts for Russell Hobbs and Remington

PR agency Bray Leino has been handed the PR accounts of lifestyle firm Spectrum Brands following a three way pitch, picking up a number of top brands in the process including Russell Hobbs, Remington and George Foreman.

The appointment will see the agency support the brands existing reputations whilst challenging competitors through creative brand equity building and communications across the UK and Europe.
A national PR campaign will also be launched to highlight the range of products offered by the brands.

Alison Weir, head of lifestyle PR at Bray Leino, said "We are looking forward to working with Spectrum to increase range awareness and create real love for the brands. Both are hugely influential in their categories, and we will be delivering a creative campaign grounded in insight to create a real step change in Spectrum's press coverage and consumer awareness.

“Bray Leino already handles branded content and ATL for Spectrum Brands so the PR win means that we can make the most of our integrated offer and really align communications strategies and creative across the year."

Sally Sidani, divisional vice president for international marketing at Spectrum brands added: "We are very excited about our new partnership with Bray Leino. As a leader in our categories, consistency in the standard of our communications across Europe is as important as consistency in our sales. Bray Leino demonstrated real ability and experience in handling European campaigns, along with an innovative and considered creative approach."

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Direct Line Group re-appoints MediaCom to media planning and buying account

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Direct Line Group brands include Direct Line and Churchill

Direct Line Group has confirmed to The Drum that it has retained MediaCom for its £86m media planning and buying account following a three-way pitch.

Fending off competition from Ageis’s Carat and MEC, MediaCom has been tasked with handling planning and buying for Direct Line Group brands Direct Line, Green Flag and Churchill.

Direct Line Group marketing director, Mark Evans, who handled the pitch process, commented: “We constantly review our media strategy to ensure it is appropriate for the needs of our business. Following a pitch review process involving several different agencies, we have re-appointed Mediacom as our media partner, as we felt their proposal best met the strategic vision for our media activity.”

Reports suggest the review was held in a bid to cut costs by £100m.

Evans added: “It’s great to be able to continue our relationship and together we will work to deliver the next exciting stage in the future of Direct Line Group.”

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#Twittersilence leads to fall in posts after 6am yesterday, as users look to stop trolls

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#Twittersilence leads to fall in posts after 6am yesterday, as users look to stop trolls

Yesterday, people took part in a Twitter silence to try to show what it would be like if trolls overran the social media site.

Caitlin Moran led the #twittersilence, in the week following people such as Mary Beard and Caroline Criado-Perez receiving threats.

Discussing why she was starting the campaign, ahead of yesterday, Moran said: "But August the 4th is International Friendship Day, and, personally, I wanted to do something symbolic on that day, in the spirit of international friendship. In the last few weeks, I've seen women on Twitter being run to exhaustion by the volume of anonymous rape and violence tweets they've received - so many that even just blocking them is a full time job. I've seen my friends' Twitter bomb-threats ON THE NEWS. I've seen the messages escalate even AFTER someone's been arrested. AFTER.

"And, obviously, it's not just women. In the wake of this, we're now talking about the problem of online abuse towards people for their religion, race, sexuality and physicality. Essentially the problems of the most nightmare playground ever have been given a jet-pack and a megaphone through the power of social networking."

According to Radian6, #twittersilence generated over 33,980 mentions on Twitter since Friday in the UK alone.

Conversation peaked at 6am on Sunday, with 6am-6pm generating 8,000 less posts than the period between 5am and 6am.

However, not everyone took part in the silence.

Mary Beard also returned to Twitter to report that she was still receiving threats.

Some of those taking part in the Twitter silence rapped those who continued to use the social media site, as some instead decided to use the day for ‘shouting back’ to raise awareness.

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Studio Mashbo brings in solicitor to spearhead new business drive

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Studio Mashbo's new signings Hosny and Fairbrother with Sherratt (centre).

Growing Liverpool digital development agency, Studio Mashbo has further bolstered its team with the appointment of a studio ambassador to strengthen its new business development along with a new front end designer.

Joining the agency in the role of studio ambassador is former solicitor Shereef Hosny, who will focus on business growth and development, advocating the studio's services to their current clients and potential new clients.

Shereef joins the agency after 11 years spent working as a solicitor and will continue to be fully registered as a legal practitioner as part of his role with the continued growth of Studio Mashbo.

Shereef said: “Joining Studio Mashbo is a new career direction for myself, but I've joined a fresh and very focused digital agency. They're developing an amazing track record for delivering results to their clients. My legal experience and passion for helping people is only going to help this agency grow and I'm excited to be part of it!”

The agency has also boosted its development team with hiring front-end developer; David Fairbrother and the agency has also seen their hard work being recognised with their recent short listings at the MPA Awards for Best Digital Agency in the Innovation category.

Managing Director of Studio Mashbo, Gavin Sherratt, was also recently named in the Insider Magazine list of Rising Stars Of The Digital & Creative World.

Speaking of the appointments Sherratt said: “These are exciting times for Studio Mashbo! We've doubled our team since we started the business. Since moving to larger studio space on Henry Street, we have also achieved all our targets. With this next stage of growth, we're looking to continue recruitment and the generation of key client wins too.”

As part of this ongoing growth, Studio Mashbo has recently launched to the new website for municipal bus company; Network Warrington. They have also recently been commissioned by London-based brand agency Capitalize to redevelop the agency's online and mobile presence.

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Football Shokx brand ambassador Michael Owen helps develop the game for 2013-14 season

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Owen has helped devleop the game after playing last season

Michael Owen has been named as a brand ambassador of virtual stock market game Football Shokx.

Owen’s appointment comes as the game launches for the 2013-14 season on Android and iOS, allowing players to trade on real-time matches with virtual coins with the real-life success of the team dictating the its share (Shokx) price.

Of his involvement, Owen commented: “I had real fun with the app and some great banter with my followers on twitter last season - it prompted me to get in touch with the Football Shokx team to see if there was an opportunity to get involved with the development of the game. They liked my ideas, and during the Summer break we have worked to create an exceptional app that puts a whole new twist on fantasy football.”

This season, in addition to the English and Scottish leagues, Football Shokx has introduced Spanish La Liga, Italian Seria A, German Bundesliga and the Chinese Super League. The new look app will also feature fixtures, live scores, club news and league tables in addition to the virtual stock market. Players will be able to partake in Football Shokx competitions as well including the Super Cup, Monthly Competitions and Rich List.

Owen added: “I’m looking forward to seeing football fans experience the new app – whether it’s in the stands, on twitter, or in the workplace, you can take on your friends or colleagues in your own mini-leagues and pit your footballing knowledge against one another. One thing’s for sure, the MO Challenge will definitely be back this season with even more to play for.”

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Oliveira appoints adconnection for media planning and buying

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Oliveira appoints adconnection for media planning and buying

Ladies shoe and accessories designer Oliveira has announced the appointment of adconnection to handle its six figure media planning and buying account.

Paul Newberry, director of Oliveira, said: “We were highly impressed with adconnection’s rigorous approach to planning, measurement and analysis, and we look forward to a very successful partnership together.”

The agency will now undertake a complete review of the TV planning process to ensure that Oliveira’s target audience, women aged between 30 and 60 in the ABC1 market, is being reached via the correct channels.

Ellen Birchenough, account director at adconnection, added: “We are delighted to have been appointed by Oliveira. We are keen to get the planning process underway and look forward to driving Oliveira’s business.”

Adconnection will take over the account this month from incumbent TriStar Media.

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